Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Tuesday, February 3, 2015

Dealing with failure [redux].

The link I provided previously was incorrect -- copy fail! It’s now fixed.

I wrote (what turned out to be) a short essay about an experience at Hack Reactor. It was an emotionally powerful experience, one that shook me up but ultimately proved valuable. Hope you enjoy it.

Dealing with failure.

Thoughts and discussions welcome as always.

Saturday, April 5, 2014

No, Really, It's Not *That* Great.


People often exclaim with wonder when I tell them I'm a full-time, traveling dance instructor. What a mythical life I must lead, they seem to think. Visiting new cities, connecting with people around the world, embarking on wild adventures, dancing in different communities all the time constantly, following your passion, doing what you love all the time, living a healthful and full life. It must be light-years better than working an office job in engineering.

No, really, it's not *that* great.

The life of dance instructors can be decidedly mundane, not containing the luster others would presume. For this post, I won't even focus on many other aspects of giving up a traditional job, such as issues with money, health insurance, job security, or stability, to name a few. 

Today, Saturday, is the day before my workshop with Nicole in Delft. A day off, and decidedly sunny outside. You might think these are the moments where it pays off to live as a vagrant, eschewing the traditional work environment to go with the flow and explore cities around the world. Spend the day meandering through the city center, or lounging in the grass, or discussing the finer points of good dance technique, right?

No, really, it's not *that* great. 

The morning started off with an hour or two of working through communication issues that invariably crop up in any traveling partnership. If you're sharing a space continuously for five weeks, you really have to learn how to communicate openly and work through problems as they appear, or you get a lot of crazy problems as symptoms to deeper issues not being addressed. Processing becomes part of your standard work demands when traveling with a partner. 

Following that, it was a quick breakfast, some daily morning routine stuff. Then, working for several hours on class planning and administrative emails. A favorite of every dance teacher. Yaaaay.

By 3pm, it was time for another snack, then off for grocery shopping -- my one opportunity to catch some daylight. The walk was quite pleasant. We crossed a pretty canal. 



Finding the grocery store became its own adventure, as Google Maps reset itself mid trip and lost the marker for the store. Working off the map and some intuition, it was found eventually. But this sort of thing happens all the time: programs fail, directions are obscure, and you're left to your own devices to navigate as best you can without a data connection. It's amazing how dependent we become on always having access to data. In a world of traveling constantly and navigating new and unfamiliar towns, one has to become fluid and more accepting of the inevitable screw-ups, missed connections, lost maps, and incorrect directions, because they will definitely happen with greater frequency. 

In the grocery store, I found a "prize" waiting for me in my carton of eggs. What I did to deserve it, I'll never know. Perhaps they come standard, like Cracker-Jacks?



Purchasing cheese is always an adventure. You might recognize some words, like "Gouda," or identify the blue cheese and Brie on sight, but beyond that its a bit of a crapshoot to pick out something you'll like. And with such a huge selection (the Dutch love their cheese), it seems even more like a random process. 

As with navigation, in food you have to surrender a lot of control over what goes into your body, particularly in a country where you don't speak the language. It may be impossible to find peanut butter that is not "American style" (i.e. loaded with sugar). You may have no idea if your ham has sodium nitrates in it. You may not know what kind of cheese you're getting, you just hope it tastes good. You may not always have access to a kitchen with decent cooking supplies, or even have the time to cook your own meals, requiring you to eat out with far greater frequency. Because you're only in one place for six days at best, you are faced with either buying only stuff you'll eat in a day, or lugging everything around. And if you think it's a chore to go through a grocery store you're familiar with, try doing it with a different store every single time and the layout is always different.

On checkout, Nicole accidentally chose the one checkout line (out of six) that did not take cash; they did credit only. Which is totally backwards from what you normally see. I've known the Dutch do this, but I forgot to caution Nicole about this pitfall. After involving the manager, another cashier station, and much apologizing, we made it out with our groceries. Phew. Please forgive us woefully ignorant American travelers...

A quiet walk back home, and lunch. 

... And then it gets exciting, right?! This is when we train for hours in the afternoon to make the next breakthrough in our dance? We have the time, we have the space, and we have a fantastic dance chemistry and ability to train together and work as peers and push each other in dance in a constructive and healthy way. And we're in the same place! Which only happens once every several months...

No, really, it's not *that* great. 

The remainder of our day until dinner time was spent doing more computer work. What exactly does that entail? Here's a short list:
- Emails to organizers about confirmed events, which includes: discussing class ideas, writing class descriptions, negotiating rates, working out travel logistics
- Emails to organizers pitching for new gigs
- Connecting with teaching partners about these various events for all the necessary coordination, including approval of drafts to organizers, agreeing on what to pitch to an event, etc.
- Processing friend requests on Facebook from students, which includes sorting them into geographical categories and writing a small note to them to reach out and connect
- More emails to organizers just sent back to you in response to your earlier emails
- Pinging email conversations that have stagnated
- Researching and booking flights or other travel arrangements
- Registering for events
- Updating your website -- which is never up to date -- to reflect new competition wins and teaching experiences
- Going through photos on Facebook, picking out ones that might be good promo photos for later (such as these)
- Maintaining a presence on Facebook so people don't forget about you
- Composing, editing, and publishing blog entries so people can connect with you (and you can connect with them in a broadcasting sort of way)
- Making decisions about when to go where, what events to try to teach at, what weekends are available to possibly teach with which partner in what area, etc.
- Reading Facebook announcements or websites to tell of other instructors getting hired for other events you wanted to teach at and maybe even applied for, but weren't accepted, and processing the feelings of envy, comparison, and insecurity that so often crop up from these experiences
- Watching dance videos of yourself and others, analyzing how things can go better
- Editing new dance videos of yourself to publication on YouTube
- Promoting those videos on Facebook so people know they exist, watch them, and hopefully (hopefully) like them and get inspired to have you there as a dancer and teacher

I could go on, but I think you're getting the idea. There's a lot to do, and so much of it involves a computer. It's a common misconception that dance teachers spend most of their time teaching or dancing. Unless you work at a studio as an employee or independent contractor, you are in charge of running your own business, and there's a ton of work involved with such an endeavor.

During this 5-week teaching block in Europe, I was logging 40-60 hours of work each week. Your weekend is fully booked with an event. Even though you only technically teach 4-5 hours per day, you're actually working the whole time by being present as a teacher, by being a positive presence in the space and by not having much control over what you're doing with your weekend. Monday is typically a rest day to refill your spent dopamine reserves and creative well. I also often use it as a day to connect with my partner on a personal level, since working together doesn't actually count as "quality time." Tuesday is more of the same, though typically with a 2-4 hour block of work in there somewhere to knock out urgent tasks. Wednesday is a day of travel, and somehow no matter how much time you actually spend in transit, it feels like you lose most of the day when you hop from one country to the next, or within the same country, or even within the same city. Thursday is spent preparing for the next event, and Friday is the start of the next event. Rinse and repeat. Before you know it, you're looking at 60 hours of work logged, but it doesn't feel like it because it is accounted more largely in all the nooks and crannies, and disguised as "fun" through attendance as dances and parties. I have been careful to identify work as work, even if I'm having fun with it, because if I don't I get rather depressed to see I've only worked 8 hours (my billable teaching hours) while feeling totally exhausted and spent from the week.

Being a traveling dance instructor does afford you certain upsides, but you must keep an eye out for them. You must cherish them, hold them close to your heart, and appreciate them. Lean on them as experiences to remind you of why you've chosen an alternate, counter-cultural lifestyle. You must use them partly as justification for why you weather the storm of all the things that suck terribly about being a homeless dance teacher, you present them as evidence to the defense of your path when your logical, practical mind takes your decision-making to court and asks, "Why the hell are you doing this?!"

Dinner with hosts and friends, where we eat good home-cooked food and share stories laugh about language quirks. Some of my favorites, all of these pertaining to Dutch…
- The phrase literally translated as "old whoring" means "to gossip a lot."
- "Poope," in Dutch, means "to take a crap." (Yes, there's a surprising amount of Dutch similar to English.) In Belgium, "poope" means to have sex. This hilarious difference creates great deals of confusion in Dutch-Belgium interactions, particularly among couples.
- They have a common phrase, "cuddle someone to death."
- A "kok" (pronounced "cock") is a cook, or chef.
- The phrase translated as "the monkey is coming out of the sleeve" means that "the truth is finally coming out."
- Dick (pronounced like usual) and Cock (pronounced "coke") are common names. In fact, there was a TV detective series quite popular in Holland in the 90s, called "De Cock," translated "The Cock." The protagonist's name was The Cock. No, not Cock; The Cock. He introduced himself as such: "My name is The Cock. That is, C-O-C-K." He had an assistant name Dick. Oh, yes: Cock and Dick, crime solvers extraordinaire. For many, this is a fond childhood memory of a television series, which naturally leads to jokes about "seeing the cock every week as a 10-year-old," or "your family showing you the cock once a week," and so on.

Naturally, there is no end to the amusement to be had in dinner conversations. Fortunately, the Dutch do not deem any subject too improper for meals.



Traveling to a nearby town for a dance party. Realizing you're in the kitchen of a good friend in The Netherlands, dancing and having fun, and this sort of "Holy crap I'm in a different country and I know how to walk from the train station to the place of my friend, and here we're all dancing" happens on a regular basis. 

Driving for the first time in Europe (having already learned how to drive a manual -- thanks, Dad) and managing to not kill anyone or get too unnerved by seeing the speedometer read "100" (kmph, instead of mph).

Or, take the following day, teaching a workshop in Delft. Despite only two weeks of advertising, we drew in a crowd of ~24 students, completely filling the dance space. Students were excited to learn and sincerely engaged with the material. Most came from outside Delft, and quite a few were also at the Dansstage Balfolk event the previous weekend, where we evidently whetted their appetite for learning Blues. Our students' dancing transformed over the course of the day through focusing on fundamental concepts, creativity elements, and quality of movement. Standing in front of a group of people who trust you and go along with what you're saying even when you're asking them to be silly by playing a game. Seeing the "A-Ha!" moments, seeing bodies fall into better alignment, seeing people get more out of dancing with each other. Enjoying the rapport developed with your teaching partner in class, standing back and watching them command the room in turn, and trusting them equally to take care of the students and do what's best for the class. Receiving rounds of gratitude in the closing circle from students, even though we never prompt them for it. A student saying "It took a year to get me into Blues, but [Nicole and you] have done it. Thanks for that." 

Following the workshop, the majority of people went to a nearby restaurant for dinner and dancing. While we carefully managed their energy to maintain a high level in the workshop, people walked out exhausted. After a round of drinks, several succumbed to urges for a nap before dinner had arrived.



Delicious food -- a gargantuan burger to satisfy the body's demand for fat and protein -- and a wide range of desserts. My favorite: assorted handmade chocolates, one of which was presented to look like soil in a terra cotta pot (complete with a little sprout for verisimilitude).



More dancing that evening in a bar that was surprisingly pretty. They had these chandeliers made out of glass bottles and spoons.





Regularly receiving unexpected, unprompted compliments, words of praise, and gratitude with such sincerity about your teaching and dancing and personality. It is humbling and honoring.

We were approached by Tobie, a burly man with a soft spirit, who initiated conversation with me by saying, "So, are you the famous Andrew that I've heard so much about?" While I find such statements quite flattering -- it still baffles me that people speak about me, or think of me as "famous" (even in a subculture) -- I never quite know what to do with them.

After a bit of chatting, Tobie kindly offered to take Nicole and me on a tour of the city the following afternoon. Sounds like a great way to wrap up our time in Delft! It was quite surprising to be offered such a service.

At one point while jamming with Nicole to an uptempo electro-swing song, everyone cleared the floor to watch. What began as a simple dance together had somehow turned into a performance. I struggled to not go into to performer mode, to try to get everything right, and to keep messing around and play and try things out. At the end, we received applause. That kind of sharp attention, unexpected, can really catch you off guard, particularly when you're an introvert. It is in so many ways a very high compliment, and I strive to see it as such, but it's still unsettling in ways. When I remarked on not expected to perform that night to a Delft dancer, she responded, "It's not often we get such high quality of dancers in our city. We want to just watch and take notes and get ideas. And it's way better than watching a video of you two."

On our way home, we passed by a coffee shop. This is noteworthy only if you actually have been to The Netherlands, for they use the word "coffee shop" to mean something nothing to do with coffee: it is a place for people to purchase and smoke marijuana. I imagine this causes no end of confusion among English-speaking tourists, particularly from the U.S., who simply wish to sit down for a rejuvenating cup of coffee and perhaps work or read. I imagine said tourist asking for the location of a nearby coffee shop from a local, which the local dutifully provides (perhaps with a smug grin on his face). The travel-weary person arrives at the shop, steps in, and is greeted with the distinctive odor of weed wafting to their nostrils, leaving them bewildered and wondering if they followed the directions correctly. 

I suppose that's as good a place as any to conclude this entry. As far as proving a point goes, I have done myself a great disservice by ending on this note. Clearly, there are many wonderful aspects to being a traveling dance teacher. This post started off as me grumbling about how much work I had to do, but I do stand by my original assertion. No, really, it's not *that* great. Much of this life is like any other profession -- a lot of work, quite often at a computer. Your personal and professional worlds don't actually mix, you just learn how to make them coexist in the same space to maintain your sanity. Don't be fooled by the postings of instructors about their madcap adventures through exotic environs; we work hard like anyone else. If we don't, we won't last long. 

Saturday, September 17, 2011

Employing a nation with useless security jobs.

Go to an airport in Africa, particularly Nigeria, and expect to have your passport checked at least five times. It’s not clear why. Sometimes there will just be a guard or airport employee standing in a hallway, inspecting passports, without it actually being a security checkpoint. Airline tickets are checked, double-checked, and triple-checked. Bags are searched at least twice by hand.

It’s particularly maddening that there is no “secure zone” as in the U.S. Each time you arrive at a new location, you must proceed through almost the same rigmarole of presenting your passport and having your bags searched and swiped for explosive power. Most searches are superficial at best, however – they have a lot of people to process – so I doubt they could find anything you were intent on sneaking something past them.

What bothers me about the whole scenario is seeing all the people standing around, doing nothing. Apart from mosquitoes and soul-crushing poverty, security/government officials seem to be the only other thing in abundance in Africa. I can see why those positions are so coveted; not only can you extort bribes, but also you get to stand around and do nothing. It’s entirely unnecessary and ineffectual.

Mali featured a new career path I had not yet seen: house security guards. Many places had them. Not like your average American security guard with proper training, cuffs, and the other tools of the trade. The only trait needed to qualify for a security guard in Mali is a pulse. And a chair. Now, I’m not commenting on whether they make a difference -- my guess is they do – but it’s intriguing to see how virally it has caught on in this city, but not others. (I’m also not knocking security guards; many of the ones I have met are quite nice.) It makes sense how people can afford it: manpower is extremely undervalued because of the surplus in supply. Still, it sets up an unfortunate scenario where people dream to become a security guard so they can sit around and do nothing. Not exactly a setup to drive economic activity and innovation.

Friday, September 2, 2011

Cultural clashes: a reflection on my Congo experience.

I originally composed this in reply to Muisi-kongo, my Congolese dance instructor, asking of my experiences in the Congo and the people I worked with. My response took on a greater seriousness than she probably expected, mostly because all of these thoughts had been bouncing around in my head for many days. I thought it appropriate to reproduce it for the blog, with some edits.

--

Overall, my experience was fantastic. I would not trade it for anything. It felt like a pilgrimage to study the traditional movements and rhythms from local artists.

There were some interesting cultural clashes that cropped up during my stay.

Being hosted by people of a lower economic class than yourself can create unexpected challenges. I became keenly aware of the fact that I do have money (even if it’s not much by American standards). They try very hard to make you comfortable, yet there are some things that cannot be accommodated easily, e.g. having a hole in the ground for a toilet. But in an effort to be graceful and humble, you mask your thoughts and reactions and try to be grateful that there’s even metal sheeting to offer some semblance of privacy.

It was startling to be waited on so attentively by my hosts. The most stark example was when I had just taken an outdoor bath and was lounging around outside. I neglected to wash my sandals, however, so parts of my freshly cleaned feet were smudged with dirt. One of the women noticed and sprang into action. “This won’t do,” I assume she said in Lari (the local language). She grabbed a bucket and a rag (which was really just a scrap of a rice sack) and proceeded to wash my feet. And then wash my sandals. I didn’t know how to respond, caught as I was between emotions of surprise, embarrassment, gratitude, and shame at having some old woman wash my feet when I could so easily do it myself.

“Hosting” is a much more serious commitment in Congo than in the U.S. They feel shame if they do not provide everything for their guest, or find that their guest is uncomfortable. One time while sitting outside under a tree, enjoying a relaxing afternoon of reading and munching on a loaf of bread, I was presented with a plate of oranges. I accepted them gratefully. Later on, I found out the impetus for the gift: the mother was shocked to see me just eating bread for lunch. (This was early on in my stay, when I was still so enamored with the taste of real bread.) Feeling ashamed that her guest was not receiving adequate provisions, she had one of her children go buy a couple oranges for me.

I am a person that does not like to create demands. I am grateful they even provided a roof over my head; the last thing I wanted to do was make them wait on me. And thus an unintended dynamic was created, where I was made uncomfortable by their relentless efforts to make me comfortable. Suddenly I had to be always conscious of how my actions were perceived, to not show any signs of disappointment or need. As a person that does like to have my alone time, this pressure began to wear me down quickly.

Another big challenge was money. I needed to adjust to the Congolese notion of giving and hospitality. Pretty much everything is shared in Congo. Whenever a person has something, e.g. a piece of bread, and you happen to be standing there and looking at them, e.g. conversing with them, they will offer you a piece. This happens all the time without fail.

It also extends to random, unsolicited gifts. This sometimes made me uncomfortable, receiving food gifts (e.g. some oranges, a loaf of bread, avocado, etc.) when I can far more easily afford it myself, but accepted them with sincere gratitude.

I struggled with this principle on various levels. It took me a while to adjust, but I made a definite effort; by the time I left, I developed the habit of buying extra of whatever I was purchasing (bananas, crackers, etc.) for sharing. While they were all considerate about not pressuring me, I could tell that do to otherwise would be considered selfish.

It was an easy adjustment for inexpensive items like bananas – what’s another $1 spent on my friends? Treating myself to something nice, be it cheese or a dinner in the city, however, became an increasingly expensive endeavor.

A culture of giving is quickly complicated by a disparity in economic strata. I try to keep a relative perspective about gifts: a gift worth $5 from a poor individual signifies more than the same gift from a millionaire. However, I still struggled with pangs of frustration when every dinner out automatically doubled or tripled in price because there were others in my company. I could afford it, but I am a student and it’s not exactly like I have money to throw around. Sometimes the culture of extreme giving had a reverse impact on me, driving me to seek isolation so I could just pay for myself and not worry about others.

When a $10 dinner at the snack bar becomes a $30-40 event because there are people with me, it’s hard to justify spending money on nice things. It made me feel like I had less control over my own diet, because street vendors were suddenly the only affordable option. Perhaps it’s just that I’m not used to being financially responsible for someone else, and that made me feel burdened, uncomfortable, tethered – essentially everything opposite of the feelings created by traveling – and that is why they were so unwelcome. It was also frustrating because I had just emerged from rural Nigeria. There were the wonders of a city dangling before me – restaurant food, dairy, meats, ice cream – and I effectively could not enjoy them because I was so self-conscious about the fact that the people in my company could not afford them; while if I bought enough to share equally, I was paying 3-4x as much and could hardly justify the expense. Either way, the pleasure was largely subverted by the cultural complications.

I do believe that the universe has a way to give back to those that give. Even so, there were times I felt like people viewed me as a rich white guy that could be squeezed for gifts and food. That’s frustrating, because I’m not rich; I must carefully conserve money just the way they do – I just do so at a different economic level. The fact that I do have money and I could theoretically give and give to them, however, made me realize that I wasn’t truly sharing what I have, and that made me feel selfish: because I was protecting my status quo. Every day, I was faced with this quandary in some degree: just how much am I willing to give? It’s easy to ignore the common street mendicant, much harder for your new friends that you see every day and care for.

Africans appear fundamentally different than Westerners in this regard; any person with money automatically (and willing) bears the responsibility of financially supporting his extended family and even friends. I wonder if that’s part of the reason capitalism has not particularly succeeded in Africa. The moment a person catches a break with a good job or opportunity, the windfall of fortune is instantly diluted, which reduces the likelihood of reinvestment to climb the economic ladder. It paints a more nuanced picture of the challenges to emerging from poverty; a single person cannot escape because they must try to bring along everyone else.

The extreme socialism – for lack of a better word – made me realize my ingrained capitalist principles (e.g. what’s mine is mine because I bought it with my money and my status is mine to protect because I got myself to this point through hard work), even when I fancy myself a giving individual. This was not exactly a comfortable realization, but hey – that’s what crosspollination of cultures is for, right?

I also did not realize that when someone asks if they may join for dinner, it means you’re paying for them. On several occasions, I was asked by Manasset if so-and-so could join, and I’d say of course, thinking their company would be welcome; little did I know that I just increased the multiplier on my bill. This is one of those other unusual circumstances where the culture engendered feelings of isolation; I had to be willing to cover the expenses of others unless I wanted to be by myself.

On to the people…

Goga is a superb dancer. When he shows a movement, he does it with full energy. I appreciated this, because it gave me more visual information to learn. He was also fairly expensive; he asked for $40/day (usually about 2 hrs of work). At one point, he expressed to me how he struggles to make enough money to pay for his mom’s hospital bills and eventually got around to asking if I would buy him a cell phone. This made me extremely uncomfortable; I like the guy, but I felt like that crossed a line. Again, it presented me with that undesirable conflict: just how much am I willing to give? Technically I could afford to buy him a cell phone, but…

Clavert, the drummer, is great. Good teacher, speaks English reasonably well, and is just fantastically laid back. I liked that aspect of him most: no drama, just friendly and happy to teach. His pay amounted to about $20/hr.

The other drummer, whose name I can’t remember (he was the other guy Pierrick tried to set me up with, he wears dreds and gets around on a mountain bike), was less pleasant to deal with. The one time we had a lesson, he showed up 30 minutes late and proceeded to not work with me because he was busy drumming for the dancers at the dance company. (In essence, he was trying to work two jobs at once.) He also complained about wanting pay for my dance “performance.” Manasset conveyed the story to me: Manasset spoke on my behalf, saying he’s a friend and this isn’t a performance, that he would do the same for Manasset if asked. The drummer replied yes, but this is different because he’s (I am) a white guy and has money, so he wants to be paid. So yeah, he’s not on my good list.

Manasset is a great tour guide. His English is approaching fluency. He is gregarious and energetic. He is trustworthy. He sincerely wants to make everyone happy and create harmony. He is also tremendously forgetful, has an abysmal sense of time, and has yet to be able to prep guests for culture shocks (read: the money/giving issue). All that said, I like Manasset a lot and consider him a good friend.

I did my best to cover all his expenses while he was with me. For that reason and that fact that we were friends, I did not pay him. Again, I struggled with this decision. In the CouchSurfing community, you find people who are tremendously giving and would never accept monetary compensation. In the Congo, it’s clear that a person won’t directly ask for compensation but perhaps wants/expects it. As a student, this created a dilemma between saving money and expressing to him my gratitude. I think it would have helped if my relationship to him was more clearly defined at the beginning. As he was thrust upon me, I didn’t feel like I was hiring a guide; rather, I was making a friend. If he saw himself as a guide, though, I think defining up front that he expects to be paid would allow me to decide whether to contract his services and, if so, for how long. While my French is nonexistent, I do know how to get by and may have opted out to save money.

As a translator, he was generally helpful for coordinating lessons, handling logistics, etc. In social situations, however, he became mostly useless. He needed constant prompting to translate either direction. He has not yet developed the habit of passing ideas back and forth between two languages, and I sympathize with this fact; speaking two languages is only part of the skillset required to be a translator. He is still learning and I tried to offer him constructive feedback and reminders.

Manasset is still learning about the differences between Congolese and Western cultures. He took for granted, for example, that I understood the implications of saying that someone else could join us for dinner. He is learning and this will probably improve with time, so that he can better prep future foreigners. He was good about helping me haggle to get local prices, but did not inform me that haggling also applies to friends, i.e. the teachers. This created some drama, as I would present a wad of money that I was under the impression would be fair, and the teacher would get upset at the discounted rate.

Manasset, for all his energy and playing at being a professional tour guide, is still a young adult of 19 years old. This means he hasn’t developed a solid time management strategy or a system for tracking engagements. I often had to advocate for myself, which was a bit challenging when Manasset was unclear with what social events were happening or when people were expecting me to show up or how long it would take to accomplish a certain goal.

Waiting until the end to discuss money was a source of endless frustration for me. Perhaps it’s the capitalist in me, but it seems silly to render services and then talk about money without so much as an estimate beforehand. It creates an unpleasant power/bartering dynamic, where you owe him something, but he’s somewhat at your mercy to take what you give. It can leave a person feeling cheated, disrespected, etc. I don’t like that. It also doesn’t allow me to weigh the decision to actually partake of their services; as a person that constantly runs cost/benefit analyses in my head (I’m an engineer, what can I say?), this lack of upfront information was endlessly vexing.

All of this said, I realize that it’s how Africa works and there’s little that can be done about it: part of the cultural experience.

Despite the inordinate thought that I’ve given to these cultural differences, I am profoundly grateful for my experience and would not trade it for anything. The challenges taught me much about cultures and myself. I am so awed by the generosity of the Congolese and how Manasset’s impoverished family treated me like royalty. I was humbled by the experience and the opportunity to learn the culture and the dance in such an authentic way.